Academic

ACADEMIC PUBLICATIONS

2019 When Jazz meets Cinema, edited by Emilio Audissino and Emile Wennekes. Brepols (Turnhout, Belgium) ‘Jazzin’ The Silents: Jazz and Improvised Music in Contemporary Scores for Silent Film’ [academic book chapter – to be published in 2019)
2017 AIM Occasional Papers No.51: ‘Informal Music Education: From Self-Directed Learning To Post-Doctoral Research’
2016 Southerly Number 76.1, 2016: ‘Wordless! Music for Comics and Graphic Novels
Turns Time Into Space (and back again)’ [peer-reviewed academic journal] Read online
2011 Screen Sound: The Australasian Journal of Soundtrack Studies Number 2, 2011: ‘The Polysynchronous Film Score: Songs for a Contemporary Score for F.W. Murnau’s Faust (1926)’ [peer-reviewed academic journal] Read online

CONFERENCE PAPERS

2018 So What: Jazz and Improvised Music Research and its Impact on Artists, Scenes and Society (ACIRN/Monash University) ‘Jazzin’ The Silents: Jazz and Improvised Music in Contemporary Scores for Silent Film’
2018 Graduate Research Seminar (Australian Institute of Music) ‘Jazzin’ The Silents: Jazz and Improvised Music in Contemporary Scores for Silent Film’
2017 RevCon 2017 Revelation Perth Film Festival ‘Imagining Authenticity: Scores For Contemporary Silent Films’
2017 When Jazz Meets Cinema Centro Studi Opera Omnia Luigi Boccherini ‘Jazzin’ The Silents: Jazz and Improvised Music in Contemporary Scores for Silent Film’ (video presentation)
2016 Music and the Moving Image 2016 NYU ‘Bernard Herrmann: Pioneer of Minimalism and Looping’
2015 Music and the Moving Image X/NYU ‘Wordless! – Music for Comics and Graphic Novels Turns Time Into Space (and back again)’
2015 ANU/Study Day: Current Work in Film Music ‘Wordless! – Music for Comics and Graphic Novels Turns Time Into Space (and back again)’
2013 Music and the Moving Image VIII NYU ‘Voyages dans la lune (Trips to the Moon): The Power of Music to Expand or Contract Interpretation in Contemporary Scores For Silent Film’
2013 Another World of Popular Entertainments, Newcastle University, ‘Silent films/Loud music: Composers of contemporary scores for silent film compare notes’
2012 Recompositions Study Day University of Sydney ‘Chopin’s Waltz in Ab, Op. 42 as multi-genre film music’
2012 DFAM/RHD Conference University of Newcastle ‘Voyage dans la lune (Trips to the Moon): Historicity vs. Modernism in contemporary scores for Georges Méliès’ 1902 silent film’
2012 MSA/Canberra ‘Music as a Tool of Control: The Power of Music to Expand or Contract Interpretation in Contemporary Scores For Silent Film’
2012 Music and the Moving Image VII New York/NYU: ‘The Polysynchronous Film Score: Songs as Score for Silent Film in Phillip Johnston’s Contemporary Score For F.W. Murnau’s Faust’
2011 MSA.ICME Conference Perth/St. George’s College ‘The Polysynchronous Film Score: The Relationship between Narrative and Music in the Contemporary Scores for Silent Film of Phillip Johnston’
2011 MSA Power of Music Conference (Perth) ‘The Polysynchronous Film Score: The Relationship between Narrative and Music in the Contemporary Scores for Silent Film of Phillip Johnston’
2011 UoN RHD Post-Grad Research Day ‘The Polysynchronous Film Score: Contemporary Scores for Silent Film’
2001 Music and the Moving Image I New York/NYU: ‘The Asynchronous Film Score’